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Buy Jazz Mutant Lemur – Control Surface featuring Multi-Touch Control Surface, Built-In Computing Resources Mu Plug-In for Tight Live Integration. Review Jazz . It’s not so often that I write obituaries for hardware, but this time, it seems appropriate. JazzMutant has announced that its Lemur, the multi-touch. We’ve just heard the sad but now wholly unsurprising news that JazzMutant is to stop selling its multitouch Lemur controller. In fact, Stantum.

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That would make it a lot more interesting to me.

During five years and despite jazxmutant new fever surrounding touch technologies, the Lemur remained the only Multi-touch device capable to meet the needs of creative people. I just don’t trust OSC.

Now easier to use than ever, more customisable and with more out-of-the-box functionality.

By choosing I Accept, you consent to our use of cookies and other tracking technologies. JazzMutant, though, deserves a lot of credit for getting people talking about multitouch in the first place – it’s worth noting that the reason a lot of producers were excited about the iPad is that they saw in it the opportunity to get Lemur-like oemur. We would like to thank all the people involved in this fantastic adventure: That being said, it’s still unclear how suitable it will be for music performance as nobody has yet seen the unit in action.

The Lemur, seen here onstage with The Glitch Mob, rides off into the sunset.

But for most of us, less-expensive and more musical physical hardware jazzmufant remain the preferred way of interacting with the virtual worlds of computer sound. It’s the only multi-touch unit you can fully customize… The ipad couldn’t try to replace it if it tried… its just not powerful enough.


JazzMutant Lemur Controller is Dead; Long Live Multitouch – CDM Create Digital Music

I still remembered when I first used a Lemur last year. Leave a Reply Cancel reply. This is why Stantum is announcing today that it will close its JazzMutant activity unit and stop selling its legendary Lemur Multi-touch hardware controller at the end of December while the stock lasts! A new plug-in, Mu brings ultimate integration between llemur Lemur controller and Ableton Live, making controlling the software easier, faster and more intuitive.

The iPad, on the other hand, is a mainstream product, a ‘jack-of-all-trades’ that’s lejur specifically tailored to musicians’ needs. It is actually a time made version. During five years and despite the new fever surrounding touch technologies, the Lemur remained the only Multi-touch device capable to meet the needs of creative people.

I don’t think the iPad is completely superior to the Lemur, yet. The Lemur is a device dedicated to music and visual control. In the meantime, JazzMutant, jazzmuatnt Stantum inhas become a technology-centric company lemut developed partnerships with tier-one industrial partners to speed up this democratization. I personally would have had more desire to purchase it if it had been cost feasible. JazzMutant has announced that its Lemur, the multi-touch hardware controller, is officially at the end of its life.

Lemur Input Device

Powered by Max for Live, Mu gives instant automatic integration with any Live set, even existing Live sets. From Wikipedia, the free encyclopedia.

If the Lemur could be truly fused with the computer display, rather than requiring an entirely independent interface, it would become a must-buy. The objects do the hard work for you, simple add them to your template and they are ready to control your MIDI instruments. See any errors on this page? Also we’re looking at a 5 year old piece of hardware, in the computer world it’s a dinosaur.


They could have completely owned the iPad music controller business and been better off than they are now. Lemur software benefits from nearly 10 years of development, and has been fine-tuned to provide maximum performance on iPad.

Objects can be attached to arbitrary mathematical expressions to transform movements into ranges that are more appropriate for the task at hand. Because it rethinks fundamental questions about what music hardware should be, it raises questions we normally take for granted.

At the end ofwriting a review for Keyboard Magazine of the LemurI concluded that powerful as touch was, it should be viewed as a complement, not a replacement, for tactile hardware — a tool ideal for certain tasks:.

The knob, the piano keyboard, strings and frets, and other tactile interfaces live forever, but touchscreens can at least be powerful options for the digital realm between tactile musical control and composition, as a more direct way to reach out and touch interactive interfaces for sound. I and many others have looked at it, pondered if the investment and learning curve weighed up to its potential as a controller….

Lots of people say the same thing now about the iPad, though. Unfortunately — the Lemur is dying just about the most painful death possible: