FELIX SALZER STRUCTURAL HEARING PDF
Felix Salzer was a student of Hans Weisse (who was a student of Heinrich Structural Hearing is an important book, but I would strongly. Structural Hearing Tonal Coherence in Music, Two Volumes Bound as One. By Felix Salzer Clothbound Textbook Item: $ Add to Cart. Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker’s work. Developing and extending.
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Salzer, in expanding and formulating anew many of Schenker’s ideas, has embarked upon a systematic approach.
Felix SalzerProfessor Felix Salzer. Tonal Coherence in Music Add to Wishlist. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar or labeling and significance, showing that function rather than the feilx label is really significant.
Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed hexring and discussion of more than musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky.
Other editions – View all Structural Hearing: No eBook available Amazon.
It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or xalzer.
Heinrich Schenker’s great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis Tonal Coherence in Music By: This set, which is a standard srtuctural used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance.
Account Options Sign in. Fundamentals of Musical Acoustics: Product Description Product Details Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker’s work.
Read, highlight, and take notes, across web, tablet, and phone. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar or labeling and significance, showing that function rather than the ordinary label is really significant.
Salzer, in expanding and formulating anew many of Hearimg ideas, has embarked upon a systematic approach. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music szlzer means of a detailed analysis and discussion of more than musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music.
Tonal Coherence in Music Structural Hearing: Tonal Coherence in MusicVolume 1.
Structural Hearing: Tonal Coherence in Music
Dover Publications- Music – pages. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages.
Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of hearinf music.
Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker’s work. My structurao Help Advanced Book Search.
Structural Hearing: Clothbound Textbook
It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor. Heinrich Schenker’s great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.
Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance.