Dingle Regatta / Regatta An Daingin AUGUST Dingle / Daingean Uí Chuis Dingle, Browse all 3 transcriptions of The Dingle Regatta Next transcription X:1 T:The Dingle Regatta R:slide O:Ireland M/8 L:1/8 K:G “G” d^cd e2 d BAB d2 B | “D”. The tune page for ‘Dingle Regatta’ at , with free sheet music, a playable midi sound file and the abc & MusicXML code – tune in the file.
I have added the repeat signs. I achieved embarassed shuffles and nervous looks at a session in N Wales or close over Christmas. Tune version 4 above is an early 19th century version in G majorcalled “Garcon Volage” trans. Perhaps it is the version you seek.
Tiz Dingle Regatta – not Dingles Regatta. The Pogues dingl this.
Tunes Recordings Sessions Events Discussions help contact links donate. Ah, the silliness of it all. You can see the following comment about the name of this slide here: All three of them? I know he did not call it the Dingle Regatta, however. Membership is free, and it only takes a moment to sign up. He plays the third part of this version as the first of his own and the B part of his own is the second part of the one posted here.
Regarding some bonkers session performances of Dingle Regatta I am quite content to remained seated and vocally quiet, relying on my age card. There are only two parts, the usual first part you mentioned and a different second part, no third part. If you are a member of The Session, log in to add a comment. But the bars are still too many, i think. William Winter was a village shoemaker in Somerset, a eegata player possibly also a flautistplaying in the church band church organs were expensive and uncommon in those days and for village dances and festive occasions.
Joe Joyce went over from Boston and picked up the jumping as well as the tune name. Who was responsible for the 3 part version of this tune? I dunno, this dinglee always makes me think of Bibbetty Bobbitty Boo. Rehata manuscript has been scholarly researched and edited by Geoff Woolfe, and published in by the Halsway Manor Society, Crowcombe, Somerset.
I find that if the opening phrase is played D-B-D instead of D-C -D then it ding,e out all confusion as to the key and makes it a straightforward composition in G. This is mostly V1 with 2 small note changes but spread across 6 lines instead of 3 for old eyes!
Here is an interesting variation for the C part: During the third part, in our session there will usually be a few people who sing: Second part I play an octave down mandolin or guitar. This sort of thing seems to be common, the G tunes with the sharpened Cs.
They play the C part quite differently though. Chris Droney plays a two part version of this tune on his album “The Fertile Rock”.
This is a kind of silly sounding tune. Can anyone let me know the name of this slide or if I am so lucky someone give me the sheet music for same? There is a lot of history associated with this music.
The Dingle Regatta
I counted that as a success. Yeah, I guess it is actually in the key of G.
For some unknown reason anyone who has anything dingke do with Morris dancing is likely to stand up during the third part of this yelling “Da da da ditty da”. This was written by Tom Billy Murphy of Ballydesmond, and was a very popular slide in the area.
If the tune is going fast enough, this can look pretty ridiculous. I suppose a lot can happen in 20 years, but I have to wonder, where the heck did this stuff come from? The Dingle Regatta R: Was it Sean O Riada? It can be fun to play around with the melody in that third part to really bring out that silliness. During he compiled his tune book of over tunes, the manuscript of which was lost but in rediscovered in a London second hand bookshop.
On each of those long notes somebody stands up to play it.