BAI LIN LIP FLEXIBILITIES PDF

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Lip Flexibilities ** For All Brass Instruments ** Bai Lin ** Full Score – Study ** Performing Ensemble: Trumpet Unaccompanied ** Instrumentation: Brass ** Item . View and download Bai-Lin(1).pdf on DocDroid. Description. This Professor of Trumpet at the Central Conservatory in Beijing, China has composed an extraordinarily well organized page book of flexibility .

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Do not attempt to play in too high a register.

Notify me of new comments via email. Cancel reply Your name, email address, and comment are required. For horn players, the book would make a fine supplement for developing accuracy and flexibility in the high range the lowest pitch is an f-sharp below the staff.

Always try to produce your most beautiful tone. This forces me to be flexible and facile in all ranges of the instrument.

Sorry, your blog cannot share posts by email. A Progressive Method of Flexibility Exercisesnewly revised and published by Meredith Music cover image linked from http: Notify me of new posts via email.

We will not publish flexbilities email. Combined with effective practice and thoughtful instruction, lip slurs can be used to develop tone, technique, range, and more! During practice sessions your embouchure, throat and tongue should be naturally relaxed and flexible. You are commenting using your Facebook account. Learn how your comment data is processed.

By continuing to use this website, you agree to their use. This will avoid hurting your embouchure or learning to play incorrectly. Enter your comment here You are commenting using your Twitter account.

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Though ubiquitous in method and etude books for brass instruments, these two publications really cover the topic in a progressive, systematic way.

Facebook Twitter Reddit Print Email. I start out each as written on the open F horn, extending down to the fingering, then continue down using the B flat horn, down to T If you feel your embouchure is tiring or is uncomfortable, you should choose an easier section to practice. In his Preface, Professor Lin offers some excellent words of advice for practicing lip slurs — or anything else. Briefly, some of the flexibiities of practicing lip slurs include:. To find out more, including how to control cookies, see here: This site uses cookies.

A balance between variety and accessibility has been used to challenge the ear and combat the monotony of the typical lip slur exercise while maintaining a logical and musical shape to the phrase. Special thanks go to Michael Helman for pointing out this publication to me. EtudesRepertoireReviewsTechnique. Next is to rlexibilities a half step up from the beginning of the exercise on T23, working my way up to T0.

Lip Flexibilities (Bai Lin) — Balquhidder Music

In his introduction, Hilliard provides some valuable insight into the art of playing flexibilitiew slurs. Dynamic and tempo markings are not included, but I would assume that these should be added and freely altered depending upon your own needs and capabilities. Overall these are both great books, and well worth studying.

Now […] Like Like. You are commenting using your WordPress. This site uses Akismet to reduce spam. As with all lip slurs, the level of difficulty varies widely depending on the level of execution.

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Subsequent patterns expand both in range and rhythmic complexity, and the final exercises are truly virtuosic. Fill in your details below or click an icon to log in: Discovering the right approach to the peculiarities of each exercise will maximize both the enjoyment and benefits of this book. The following HTML tags can be used in the comment field: He also has a very informative website about the history of horn flexibilitise in Los Angeles.

The air should be fluent and steady consistent. Though written by a trumpet player, as the title suggests the exercises contained here are beneficial on all brass instruments. The exercises begin simply with half-note and quarter note slurs, beginning on open notes and moving downward through the harmonic series.

Among the more advanced exercises, there is a wide variety of lip slurs that focus on very specific skills. Worth area, and has published numerous articles in The Horn Call.

Your lon, email address, and comment are required. Briefly, some of the benefits of practicing lip slurs include: Post was not sent – check your email addresses!

Lip Flexibilities (Bai Lin)

Manipulating the air stream is key, not only in hitting the pitch but also in voicing each note with a full and ringing sound. On hai triple, I then continue higher on the high F horn, starting on T and going up as high as I can. Email required Address never made public.