CDGIM – Palestrina: Missa Assumpta est Maria & Missa Sicut lilium. CDGIM Digital booklet (PDF) · Giovanni Pierluigi da Palestrina (/ ). Giovanni Pierluigi da Palestrina (/) The Missa Assumpta est Maria, based on his own motet of that name which in turn is based on a short phrase. Peter Phillips directs The Tallis Scholars in two masses by Palestrina. This album won the Gramophone Early Music Award in
Gimell | Palestrina – Missa Assumpta est Maria and Missa Sicut lilium
Quia hodie Maria virgo cum Christo regnat in aeternum. Similarly in the first Kyrie of the Mass Palestrina states the point twice, while cleverly abbreviating the entries, and all the other movements except the Gloria start with imitation of some kind, even the Credo. In both cases the power of the writing is largely attributable to bright sonorities: Indeed such pieces as the Missa Assumpta est Maria have regularly been performed in recent years in Protestant services where the kind of syllabic setting shown, for example, at the beginning of the Gloria is in line with one of the founding principles of all the reformed religions.
Die Art der syllabischen Partiturierung, wie man sie zum Beispiel am Anfang des Gloria findet, korrespondiert mit einem der grundlegenden Prinzipien aller reformierten Religionen. Navigation menu Personal tools Log in Request account. The parody motet Assumpta est Maria shows the way in its opening bars: The first Kyrie, for example, begins with imitation between all the parts but very quickly has settled into alternating harmonically controlled phrases which rely for their effect on being rescored.
Two-part motet, the model for the parody mass of the same name External websites: Assumpta est Maria a 6 Composer: Beethoven and Mozart are possible rivals in this, but with them the process hasn’t been going on for so long. It is a feature of modern music-making that professional concert-choirs do not necessarily choose the same repertoire as that of church choirs, even though they make their selection from the same composers.
English translation Let all rejoice and be glad with righteous heart, for today the Virgin Mary reigns with Christ for evermore.
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Two-part motet, the model for the parody mass of the same name. No Renaissance composer and few later ones have been as proficient as Palestrina at writing positive, outward-going, major-key music, and in this context Assumpta est Maria represents one of the most important works of the period. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
This late-Renaissance method is then transferred to the Mass, most obviously in the Gloria and Credo but also in the first Kyrie, where greater elaboration was more customary. It is not essentially that it is a better piece of music than all the other contenders.
Giovanni Pierluigi da Palestrina Number of voices: Antonio Melis submitted This page was last edited on 27 Septemberat The site is also available in several languages. Welcome to Hyperion Records, an independent British classical label madia to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
It also seems to help a piece if there is an attractive story to go with it, and the Missa Papae Marcelli has undoubtedly benefited asskmpta this. It was our deliberate intention to pair two works in such contrasting styles from this great master. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Views Read View source View history. It ppalestrina interesting to follow the historical process by which a work like the Missa Assumpta est Maria becomes so much more famous than any other comparable work of the period. Preme sottolineare, poi, che The Tallis Scholars hanno preferito affidarsi ad edizioni appositamente preparate per loro delle messe Sicut liliumNigra sumBenedicta es e Nasce la gioja mia.
Assumpta est Maria a 5 (Giovanni Pierluigi da Palestrina)
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Latin text Gaudete et exsultate omnes recti corde.
There assunpta been fourteen different editions of Papae Marcelli since the middle of the nineteenth century and eight of Assumpta est Maria of which the first was prepared by Carl Proske in The Tallis ScholarsPeter Phillips conductor.
Giovanni Pierluigi da Palestrina. Peter Phillips directs The Tallis Scholars in the historic concert celebrating Palestrina’s th anniversary, filmed in the Roman Basilica of Santa Qssumpta Maggiore where the palestirna sang as a choirboy and later became maestro di c Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.
Das erste Kyrie beispielsweise beginnt mit Imitation in allen Stimmen, doch sehr schnell werden daraus alternierende harmonisch bestimmte Phrasen, assumpa ihre Wirkung palsetrina Umschichtung der Stimmen erzielen. The more relaxed, more abstract style of such early settings as the Missa Sicut lilium has not often been heard in church services since the first half of the sixteenth century, but it has increasingly attracted a following among concert-goers who pay to hear the music as music, rather than as an adjunct to worship.
Presumably Lassus took part in performances of the pieces contained in it, though his sacred compositions scarcely reflect the elegiac mood of Sicut lilium and in general he seems to have learnt little of importance from Palestrina. Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur. February Total duration: The recording, made in the Church of St Peter and St Paul, Salle, Norfolk is well handled and adds powerfully to these flexible, expressive and beautiful readings’ Gramophone.
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