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In Jan Krenz asked Witold Lutosławski for a composition to mark the following year’s tenth anniversary of Béla Bartók’s death. However. Funeral Music for String Orchestra. Duration: 13’30”; Instrumentation: archi ( ); Year: ; Language of edition: pol; Type: parts. Composer:Witold Lutosławski; Original title: Muzyka żałobna na orkiestrę Variations for Orchestra, Lutosławski: Funeral Music, Livre pour orchestre”, Berliner.

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Work on the piece lasted longer, funearl, and the Trauermusik was finally completed in In the second part, the Metamorphoseswe hear a return of the melody from the Prologuetransformed in a sophisticated manner: From Wikipedia, the free encyclopedia. The composition consists of one movement with four distinct sections marked by changes of texture and instrumentation as opposed to four distinct movements, which are marked by double bar lines and extended periods of silence.

It consists of a succession of 32 twelve-tone chords. Outoslawski by categories Orchestral Symphonic orchestra Chamber orchestra String funrral Wind orchestra Instrument solo with orchestra ensemble Vocal-instrumental music Electronic music Stage works Music for children Sacred Music.

Articles containing Polish-language text. Its successive notes are interspersed with strange tones, the number of which gradually rises from one to seven. The dodecaphonic canon of the first section appears in this final section. Music Education Day Check. This is accompanied by an intensification of sonic movement.

Significantly, the twelve-tone row consists of only two intervals: The piece is scored for a small string orchestra of four violins, two violas, two cellos, and two basses. Views Read Edit View history. For me, it represents the beginning of a new period, it is the result musid lengthy experiments.


Lutosławski Witold, Funeral Music For String Orchestra

The works premiere took place on 6 March in Katowice. And this is the first word spoken in this for me new language, but it is by no means the last. The music is formed similarly to that of the Prologue — with tension not rising, however, but falling.

Tuneral main culminating point was constructed on the basis of a note chord complex. Everywhere Shop Hire Library.

Ninateka – Three composers – Funeral Music for string orchestra

The first movement of Funeral Musicthe Prologuepresents a melodic line consisting of 24 notes. In the development of the form, one can notice a continual increase in density of movement achieved by progressive complication of the rhythmic language leading finally to the Apogeum 3rd part.

By using this site, you agree musid the Terms of Use and Privacy Policy. The introduction to the moving atmosphere of this musical homage is the Prolog, which is in the form of a canon. The Epilog, closing the whole, brings a mysic of the mood of the Prolog. These luroslawski distinct sections are:. In any event, in this piece the wide registration gradually collapses inward onto a single pitch that initiates the final section.

I was trying to create a set of means which would become my property.

Metamorphosen – the dynamic 2nd part – is initiated by nervous pizzicati. The melody passes through all instruments in the orchestra, overlapping with itself in increasingly dense weaves. Tension rises until the moment in which the violins chant two notes, F and B, a chant then taken up by the cellos with the double basses.

Although the apogeum is relatively short, clocking in at less than one minute and consisting of a mere twelve bars, it is nevertheless structurally significant. In any event, the row from the Prologue undergoes twelve transformations.


It is filled by a series of tone chords played sonorously by all instruments. It received a notable performance later that year at the Warsaw Autumn Festival Thomas This page was last edited on 29 Januaryat Both of these intervals are associated with lament and funeral topics.

It is in one movement, but one can distinguish in it four clear phases. Its process is characterized by a gradual buildup of tension to the culmination, after which follows quiet and tranquility. This work is not only one of the most important in the post-war history of Polish music, but also a significant turning point in the artistic development of the composer himself. It is of small dimensions and non-independent character – this segment is essentially the culmination of the entire work.

Newsletter PWM Sign up. Retrieved from ” https: Funeral Music for string orchestra.

Chain form describes a technique in which a composer “braids” two independent strands of music. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

Funeral Music for string orchestra – Three composers – Ninateka

The series is successively presented a fifth lower according to the circle of fifths. Toward the end of the Apogeum the span of the chords is diminished, while the chords themselves are reduced to a single note opening the fourth part of Funeral Musicthe Epilogue. This reaches its greatest intensity at the beginning of the climactic third part, the Apogeum.