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Download scientific diagram | Score extract from Gyorgy Ligeti’s Devil’s Staircase, representing the TSU Endless trajectory. Reprinted with kind permission of. A really interesting point that I absolutely love about this piece is the fact that there is almost always an upwards movement, trying to escape. So this week I decided to study “The Devil’s Staircase”, by Hungarian composer, Gyorgy Ligeti. The piece is heavily technically difficult as well.
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This includes many moments of crossing over the hands, and large leaps and spans.
Any way I could ask for a copy of the score? Please log in using one of these methods to post your comment: You are commenting using your Twitter account. A great listen, I recommend. After over two minutes of constant pulse and movement, flowing upwards, and over 20 seconds playing the highest notes on the piano at very high dynamic levels, there is a sudden shift to a very long and slow bass end chord sequence.
The piece, thus far, seem to lean towards this point, and one might staircaee a climax, but in bar 18, the consistency of texture, and pitch material drop instantly — much the same as bar stave 3. Usually virtuosic pieces do not particularly enthrall me, as I usually find that there is not a lot of musical content or meaning behind them.
Here the composer restricts his musical material — with the exception of the final bars — to a single note: You are commenting using your WordPress.
This is a blog for staff and students in the Composition Program at Monash University.
Thanks to our partners and sponsors: You are commenting using your Twitter account. Makes sense to me. Haydn — Symphony No. There is a very consistent and constant pulse throughout the piece, other than three moments of incredible mood change. To find out more, including how to control cookies, see here: We hope that over time the blog will provide useful hints and ideas about the creative processes of composition.
Often they are not full lines either, but dashed lines very often in the middle of the page, as that seems to be the only consistent place they are. This is until there is a sudden and unexpected mood change.
To find out more, including how to control cookies, see here: Ligeti also gives stairczse player copious playing notes, mainly to explain some of his more eccentric notation and ideas. You are commenting using your Facebook account. Leave a Reply Cancel reply Enter your comment here Email required Address never made public.
We intend to keep a record of our study, thinking and compositional projects to document our work, show the world outside what we do and invite comment. Here, each of the pianist’s hands seems to be moving in a different space. It demands not only the greatest possible hand control but also an infallible sense of tone colour as well as extraordinary powers of perception.
All in all, I got a lot out of studying this piece — I really enjoyed the musical metaphors that were used in this piece, and I found this piece thoroughly entertaining for this very reason. The opening piece of Musica ricercata shows in a very palpable way the creative forces that a radical self-limitation can unleash.
The very consistent and constant pulse throughout the piece remains intact, as the highest notes are played at extreme dynamic levels, when, all of a sudden, this consistency is destroyed, with a sudden shift to a very long and slow bass chord played at the lower extreme of the instrumental range. This is a blog for staff and students in the Composition Program at Monash University. In stave 3, the bass takes on the role of being a percussive driving force.
Chopin, Liszt, Debussy and others composed piano etudes that concentrated on specific intervals e. It was ljgeti the piano collection Musica ricercata that the Hungarian composer laid the foundations of an individual musical language in the early s.