KNUD JEPPESEN COUNTERPOINT PDF

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Knud Jeppesen was a Danish musicologist, composer, and writer on the history of music. His work Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century has been a standard textbook since its appearance in German . Counterpoint The Polyphonic Vocal Style of the Sixteenth Century. By Knud Jeppesen, foreword by Alfred Mann Book Item: X. $ Add to Cart. Counterpoint has 52 ratings and 5 reviews. Clayton said: Nice account of Renaissance counterpoint, but also the version I read is a prime by. Knud Jeppesen.

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Published March 27th by Dover Publications first published Views Read Edit View history. He found employment in Berlin inbut countepoint to Denmark because of the outbreak of war. In Part One, Knud Jeppesen —the world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory.

A good, detailed study of polyphony. Miye McCullough rated it really liked it Feb 12, Jan 27, Des Small added it. For this edition, the distinguished scholar Alfred Mann has contributed a new foreword to Jeppesen’s classic study.

Minh-Tam rated it it counterpoiint amazing Sep 09, From until his death he was active in the International Musicological Society, serving as president from to Retrieved from ” https: Following his retirement inJeppesen resided in Italy, enabling him to make several discoveries in Italian libraries culminating in his magnum opus, La frottola —70a detailed study and bibliography of frottolethe leading genre of Italian popular, secular songs in the late fifteenth and early sixteenth century.

In Part One, Knud Jeppesen —the world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory.

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Knud Jeppesen

Lists with This Book. Stefanie Countsrpoint rated it liked it Sep 27, Jeremy rated it really liked it Jan 11, A workbook should not be phrased mostly in the passive voice. Cornelis Jordaan rated it really liked it Aug 27, There are no discussion topics on this book yet. Five Graphic Music Analyses.

Carol rated it liked it Apr 06, He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries. Sarah rated it liked it Feb 28, I’m shelving this under “Oh wait I have to know jeppeswn alto and tenor clefs? Structural Functions in Music. To ask other readers questions about Counterpointplease sign up. This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the “Palestrina Movement” after Fux, and more.

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century

This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the “Palestrina Movement” after Fux, and more. In Part One, Knud Jeppesenthe world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory. From to Jeppesen was Nielsen’s closest associate, and Jeppesen wrote several jeppssen articles about that composer. The section ends with illuminating coverage of notation, the ecclesiastical modes, melody, and harmony.

Ojo Taylor rated it liked it Jul 25, For this edition, the distinguished scholar Alfred Mann has contributed a new foreword to Jeppesen’s classic study. He also wrote cantatas, organ music, and an opera, Rosaura, which was performed by counyerpoint Royal Danish Theatre on September 20, The second part of the book contains an extended treatment of “species” counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass.

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David rated it it was amazing Sep 23, This is followed by separate discussions of each succeeding century, the styles of Jeppessn and Bach, the “Palestrina Movement” after Fux, and more.

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century by Knud Jeppesen

Owing to Hammerich’s retirement, there was nobody on the faculty of the university to examine Jeppesen’s counterooint therefore, he submitted his dissertation to counterpoiny University of Vienna, where it was reviewed by Guido Adler and Jeppesen was awarded a doctorate in Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology.

The section ends with illuminating coverage of notation, the ecclesiastical modes, melody, and harmony. Other editions – View all Counterpoint: His published writings mostly regard music by Italian and Danish composers from the sixteenth and seventeenth centuries. He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries.

His doctoral thesis was expanded in and appeared in English in as The Style of Palestrina and the Dissonance — a work which The New Grove cites as being the “most distinguished and influential example of stylistic analysis coujterpoint this time”.