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Check out Baroque Lute Music, Vol. I: Kapsberger by Paul O’Dette on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on Name in Other Languages: Johann Hieronymus Kapsberger, ジョヴァンニ・ ジローラモ・カプスペルガー, Johannes Hieronymus Kapsberger, Иоганн Иероним . Johann Hieronymous Kapsberger was a famous lute player and also a composer of the Baroque era’s first blush in Italy. Although his work was uneven, its better.

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Kapsberger’s last publication was in and nothing is known about the rest of his life.

From Wikipedia, the free encyclopedia. These included the Accademia degli Umoristi and the Accademia degl’Imperfetti. He wrote some of the most innovative and outstanding lute music of the time and was noted for a virtuoso style with well-chosen ornamentations and wrote attractive, lively dance music, as well as songs.

Retrieved from ” https: He was a member of some of the “Academies” more or less regular discussion and performance groups that were important in artistic life of the time. He composed a Missae urbanae inreportedly in an effort to introduce his music into the playbook of the Sistine Chapel’s chorus.

He wrote a Sinfonie a quattro with orchestra and a solo group of violin, cornet, lute, chittarone, harp, kzpsberger harpsichord, contrasting their solo sonorities against each other and the orchestral group most inventively.

Giovanni Girolamo Kapsperger – Wikipedia

He died in This list only includes works published during the composer’s lifetime; the few pieces that survive in manuscripts, as well as pieces of questionable attribution, are not included. He quickly became famous as a virtuoso lutenist, which gave him entry to the leading clerical and aristocratic families, where he was treated as an equal as a “German nobleman.

He had close contacts with the orders of St. A prolific and highly original composer, Kapsberger is chiefly remembered today for his lute and theorbo chitarrone music, which was seminal in the development of these as solo instruments. Preface to Johann Hieronymus Kapsberger: Kapsberger worked in Francesco’s household until Kapsberger’s other music includes two collections of instrumental ensemble dances, rare for the period, and a wealth of vocal music, which was widely performed during his lifetime, but which is now critically less acclaimed.


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Giovanni Girolamo Kapsberger

These included the celebrated Libro I d’intavolatura di lautoKapsberger’s only surviving collection of music for lute. By kapsbberger our website, you agree to the use of cookies as described in our Cookie Policy.

Prominent among these critics is lutenist Rolf Lislevand: Also, a compositional treatise by Kapsberger, Il Kapsperger della musicawas announced in in the preface to Libro quarto d’intavolatura di chitarronebut is now lost. Libro Quarto d’Intavolatura di Chitarone”, By using this site, mapsberger agree to the Terms of Use and Privacy Policy.

Category:Kapsperger, Giovanni Girolamo

lite Kapsberger’s writing is characterized, especially in toccatasby spontaneous changes, sharp contrasts, unusual rhythmic groupings and, sometimes, passages that do not conform to the rules of counterpoint that were in use at the time. Despite his name, he was an Italian composer. Kapsberger is best remembered as a composer for lute and theorbo. His father Colonel Wilhelm Guglielmo von Kapsperger was a military official kxpsberger the Imperial House of Austria, and may have settled in Venicethe city which may have been Kapsberger’s birthplace.

Regardless of how one regards his compositional prowess, Kapsberger was one of the principal composers of lute and theorbo music during the early Baroque era together with Alessandro Piccinini and greatly contributed towards advancing European plucked string instruments of the time.

Oapsberger Kapsberger married Gerolima di Rossi, with whom he had at least three children. Johann Hieronymous Kapsberger was a famous lute player and also a composer of the Baroque era’s first blush in Italy. Listen to Giovanni Girolamo Kapsberger now.

Giovanni Girolamo Kapsberger on Spotify

Get Spotify Open Spotify. Inhe was chosen to provide a major vocal work, Apotheosis seu consecratio, as part of the ceremonies celebrating the canonization of St. Also highly regarded is his first book of villanellas Libro primo de balli, kapsbegger et correnti, a quattro voci Rome, and Libro primo di sinfonie a quattro Rome,p. Views Read Edit View history.


Kapsberger firmed up his relationship with the church hierarchy by writing a set of vocal compositions on poems of Pope Urban Kapsbfrger and other music dedicated to members of the Pope’s family, the Barberini. After Kapsberger moved to Romewhere he quickly attained a reputation as a brilliant virtuoso. Although his work was uneven, its better examples have considerable interest to today’s listeners.

John and his publishers were members of these groups. Nothing is known about Kapsberger’s date and place of birth. New York and London: Il terzo libro di villanelle Arr. This page was last edited on 24 Lluteat Otherwise, he had a tendency to resort to standardized vocal ornamentations or roulades to such an excessive degree that the music is boring, as well kapsbefger clumsy handling of texts and lack of formal balance of phrase lengths.

Giovanni Girolamo Kapsperger also: In other projects Wikimedia Commons. Libro primo di villanelle Arr. He wrote two sets of Cantiones sacrae, which are regarded as his best work for voices. His only dramatic works the representative drama written for the Loyala canonization and an opera, Fetont are lost. He cultivated connections with various powerful individuals and organizations; and himself organized “academies” in his house, which were counted among the “wonders of Rome”.

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He started publishing his music at around the same time, with more than a dozen collections of music appearing during the kalsberger ten years. In like manner, he was a friend of the poets Francesco Porta, Giulio Rospigliosi, and Giovanni Ciampoli, as well as painters and scholars. Among them was Athanasius Kircherwho described Kapsberger as a “superb genius” and kspsberger that he has “successfully penetrated the secrets of music.

Some contemporaries, such as Stefano Landimentioned that Kapsberger was not as meticulous a composer as he was as a performer.