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Jan Tschichold (–) is a reputed European typographer. Very few of those who write about typography and book design (and they are. 28/01/ · Dallas, TX · The Form of the Book, by Jan Tschichold, is the authority on book design and the best book I have ever read on typography (and I ‘ve. THE OF FORM THE BOOK The form of the Book offers the harvest of a lifetime’s devotion to the art of typography. Its author, Jan Tschichold.
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I have made sure to leave in some artifacts so you can get a feeling for the text, warts and all. I certainly do agree with his comments on readability.
It must settle for tue perfection instead. For th On the subject of the book page and its type area, there are some pages of quite mathematical minutiae, but this supports the overall impression one gains that the secret of typographical success — as with so much else forn lies in the details.
Buy the book at Amazon UK. Idil Duman rated it it was amazing Feb 13, Well before tthe publishing and computers. Yet when a selection is made, one has to keep in mind the fonts already available in order to avoid inherently disharmonious mixtures.
Three-to-em or even more compressed word spacing should be made the rule, unconditionally, and not in books alone.
What is good taste, exactly? Bug in the gold standard Now, if the cover underneath were in a beautiful leather or well-done cloth… His comments about Fraktur were certainly interesting and I went exploring on the font manager in my computer Want to Read saving…. The English edition was expertly translated by the author of my second favorite book on typography, Robert Bringhurstbut is sadly out of print as of this writing.
The German tradition forn of which these observations spring is betrayed by his habit of formulating arguments in the imperative mode as a series of abstract absolutes. Maggie rated it it was amazing May 03, Dennis rated it really liked it Mar 21, So now let me get out of the way; I give you The Form of the Bookdigested: Tobias rated it it was amazing Mar 30, Typesetting without leading is a torture for the reader.
Dividing in to tweflths we get … a larger type area when compared with figure 5. No trivia or quizzes yet. Libro che ogni grafico dovrebbe aver letto e meditato. Only beginners and fools will insist on using it.
The graphic artist has to be or should be! Planning and execution must go hand in hand. George Bauerschmidt rated it really liked it Aug 16, Part of me wants to strangle him for his obdurate, close-minded nature while the other half applauds his attention to detail.
In addition, there should be a good Fraktur, also in all sizes, at the very least up to pint. Preview — Form of the Book by Jan Tschichold. As beautiful as the ratio of 2: Aleksandrs Kiselovs rated it really liked it Jan 10, On the subject of the book page and its type area, there are some pages of quite mathematical minutiae, but this supports the overall impression one gains that the secret of typographical success — as with so much else — lies in the details.
There is plenty more knowledge in the book, but I have neither the time nor permission to post it all here.
Later in life, he dismissed Die Neue Typography tschicohld too tschichild and fell in love with classic, rational symmetry in design. Fbrc Wltrck rated it really liked it Jan 06, The true garment of the book is its cover; the jacket is merely the raincoat.
As Robert Bringhurst puts it with characteristic elegance in his introduction: He was a German refugee who had made his mark as a radical modernist in with the publication of Die Neue Typografie.
This site uses Akismet to reduce spam. The guidelines he created form the basis of most books designed today.
Comfortable legibility is the absolute benchmark for all typography … Good typography can never be humorous … a truly beautiful book cannot be a novelty. Buy the book at Amazon US. Please stay tuned to the end of this post to see how we can change that. Written between andthese essays discuss every element of the traditional printed book.
Robert Bringhurst translated it to English from the German text inand he also wrote an enlightening introduction for that edition. That would be bad taste, you see. This looks like a beautiful book. In order of importance, legibility and clarity have to come first; a smooth contour of the typeset page is of lesser importance. To produce perfect books, these rules have to be brought back to life and applied.
Plus, I love the subtitle. He taught many places, but was always a student. Apr 09, Karen marked it as to-read Shelves: On Your Marks There is plenty more knowledge tschifhold the book, but I have neither the time nor permission to post it all here.