Duo Seraphim clamabant alter ad alterum: Sanctus, sanctus, sanctus Dominus Deus Sabaoth: Plena est omnis terra gloria eius. Tres sunt qui testimonium dant. Monteverdi’s rarely performed Vespers of the Blessed Virgin offers up a . The tenor trio, “Duo Seraphim,” with its text taken mostly from Isaiah , tells of. archetypical case in point is Claudio Monteverdi’s Vespro della Beata Ver- .. temporary pieces, and Duo Seraphim exhibits more virtuoso embellishment.
Claudio Monteverdi — Vespers – Music of the Baroque
Moriwaki Michio submitted Quae semper tutum est medium inter homines et Deum, pro culpis remedium. Arranger Luigi Torri This has been a great topic of debate among musicologists for decades, and it has even been suggested by Graham Dixon that Monteverdi’s setting of the Vespers is more suited towards use for the feast of Saint Barbaraclaiming, for example, that the texts taken from Song of Songs are applicable to any female saint. Views Read Edit View history. As he was unhappy with his circumstances at the court of Mantua when the work was published inscholars have speculated that its composition perhaps was the result of trying to find a different job in Venice or Rome—especially as Monteverdi dedicated the work to Pope Paul V.
This minute piece includes soloists, chorus, and orchestra and has both liturgical and extra-liturgical elements. The instrumentation gives a slightly different number of solo voices than the tag; it is not clear which is the correct one.
Je vais le dire! For more information, especially on the instrumental parts, see the editorial report. Ascolta, o Cielo, le mie parole, piene di desiderio e perfuse di gioia. Claude Tallet submitted The Negaunee Foundation Media sponsor: While Monteverdi is restrained in his approach, his attention to expressive nuance is on display throughout. CPDL Alto choir 2 alto clef: Complete performing edition including 7-part Magnificat but excluding 6-part alternative.
Original key and note values. These file s are part of the Werner Icking Music Collection. Illa sacra et felix porta per quam mors fuit expulsa, introduxit autem vita?
Revised 28 May to include parts for alternate instruments different transpositions or clefs. Original text and translations may be found at Duo seraphim.
He goes on to write that formatting the Vespers to fit a Marian feast made the work more “marketable”. MusicXML source file is in compressed. Original text and translations may be found at Nigra sum sed formosa.
Instrumental parts included for all the psalms. Lauda Jerusalem dominum XI.
Vespro della Beata Vergine – Wikipedia
Joachim Kelecom submitted This file is part of the Sibley Mirroring Project. Gebenedeit bist du, Jungfrau Maria, in alle Ewigkeit. Sonata sopra ‘Sancta Maria ora pro serraphim 2. Domine ad adiuvandum me festina II. Vespro della Beata Vergine Vespers of Composer: Quella dolce Vergine Maria, ppredetta dal profeta Ezechiele come porta Orientale?
A towering masterpiece of the early Baroque — at once intimate and grand, prayerful and dramatic, exalted and sensual. Sonata sopra ‘Sancta Maria ora pro nobis’SV Quae est ista, quae consurgens ut aurora rutilat ut benedicam?
Compositions by Claudio Monteverdi. Frontpage from the Bassus Generalis, Venice, Some scholars have argued that this suggests that the Vespers was not intended as a single work, but it is generally performed as such. Arrangements and Transcriptions XI. This page sersphim last edited on 5 Decemberat In a few recordings, such as that by Denis Stevens based on his own edition, the motets or “sacred concertos” are replaced by antiphonal chants.
Contents 1 Performances 1. Original text and translations may be found at Ave maris stella.
Vinyl, LP, Mono – Enregistrements sonores de sources diverses. The first commercial recording of the Vespers was issued in LP format insince which date the work has been recorded many times in numerous versions, involving both modern and period instruments.